Add to Wishlist. A lot of the melodic metal comes out of that too. [15] The Ramones were the most prominent of the bubblegum-influenced punk bands, adopting cartoon personas and later covering two bubblegum standards "Little Bit O' Soul" and "Indian Giver". Bubblegum dance usually has a more pop sound than other Eurodance. The lyrics and style are often light-hearted and are not intended to be taken seriously. QUICK ADD. In the States in the late 60s, a genre called bubblegum was an astutely kid-orientated extension of moptop pop, and its apogee was the Archies' … Discover new music you'll love, listen to free personalized Bubblegum Oldies radio. "[3], The Archies' "Sugar Sugar" became the best-selling hit of 1969 and inspired a wave of artists to adopt the bubblegum style. Bubblegum dance is a subgenre of Eurodance music. List View List. Bubblegum dance usually has a more pop sound than other Eurodance. Blues & Folk Music Broadway & Vocal Classical Country Music Jazz Pop Music Rock Soundtracks Browse All > ... Bubblegum: Music. It was simple, melodic, and light as feather -- neither the lyrics or the music had much substance. The sub-genre of pop music originally known as "bubblegum" pop music is one of the very few dominated by a specific production team: in this case, Super K Productions, the team of Jerry Kasenetz and Jeffrey Katz, who scored the majority of bubblegum's biggest hits in the late '60s. Most bubblegum acts were one-hit wonders (notable exceptions included the Partridge Family and Tommy Roe) and the sound remained a significant commercial force until the early 1970s. Yes, it is responsible for Take That and New Kids On The Block, but it's also responsible for The Ramones. The Witch is Dead" (Fifth Estate, 1967), and "Green Tambourine" (Lemon Pipers, 1967). Paroles navrantes, voix plus qu'anodines (voire parfois carrément stupides). Bubblegum music was a form of pop music that was popular in South Africa in the 1980s. It takes Pop music and amplifies its cuteness and femininity to extreme levels, often pitching the vocals upward and warping the rhythm through a frenzied UK Bass and Wonky filter. “Smile a Little Smile” was written, produced and … [3] Comparing bubblegum to power pop, Mojo writer Dawn Eden said: "Power pop aims for your heart and your feet. Occasionally invoked as a pejorative,[3] the "bubblegum" descriptor has several different applications. That's really the point at which bubblegum took off. Bubblegum (also called bubblegum pop) is pop music with an upbeat sound that is considered to be disposable, contrived, or marketed for children and adolescents. Bubblegum music borrowed from the traditions of umbaqanga, marabi and kwela, which were all music genres that had evolved in the 1940s and 1950 as South African musicians laboured to find a local sound for their jazz and blues inspirations. So named for the target audience of children and young teens, Bubblegum featured a concoction of sing-along choruses with simple verses and a repetitive melodic structure. Producers such as Kasenetz and Katz subsequently pursued different musical avenues. Grid View Grid. [3] Producers Jerry Kasenetz and Jeffry Katz have claimed credit for coining "bubblegum" for this music, saying that when they discussed their target audience, they decided it was "teenagers, the young kids. [3], The Tra La La Song (One Banana, Two Banana), https://en.wikipedia.org/w/index.php?title=Bubblegum_music&oldid=996537749, Creative Commons Attribution-ShareAlike License, "the classic bubblegum era from 1967–1972", "pop music contrived and marketed to appeal to pre-teens", "pop music produced in an assembly-line process, driven by producers and using faceless singers", "pop music with that intangible, upbeat 'bubblegum' sound. [11] Pitzonka stated of bubblegum's legacy: Bubblegum really did lay a deeper foundation than anybody's willing to give it credit for. They are often amusing and cheerful. The lyrics and style are often light-hearted and are not intended to be taken seriously. They are often amusing and cheerful. Bubblegum Bass (sometimes called PC music, bubblebass, post-ringtone, hyper pop or bubblegum badass) is a style of Electronic Dance Music that originated in the early 2010s. Bubblegum was a manufactured music, created by record producers that often hired session musicians to play and sing the songs. Bubblegum was targeted at a preteen audience whose older siblings had been raised on rock & roll. Bubblegum is a subgenre of Popknown for its upbeat, catchy simplicity in both lyrical and musical content. Come on Get Happy: Very Best… by The Partridge Family. [11] The song's success led to "cartoon rock", a short-lived trend of Saturday morning cartoon series that heavily featured pop-rock songs in the bubblegum vein. Listen to Bubblegum Oldies music on Pandora. And at the time we used to be chewing bubblegum, and my partner and I used to look at it and laugh and say, 'Ah, this is like bubblegum music'. Many genres have a rich history or geographical significance, a cult following or music roots that go far beyond the 20th century. Bubblegum is a subgenre of Pop known for its upbeat, catchy simplicity in both lyrical and musical content. [13] Although it is rarely acknowledged by music critics, who typically dismissed the genre, bubblegum's simple song structures, upbeat tempos, and catchy hooks were carried into punk rock. Joey Ramone has stated in interviews that The Ramones were fans of the band and bubblegum music in general. Bubblegum dance usually has a more pop sound than other Eurodance. Bubblegum dance is a subgenre of Eurodance music. [3] Writing in Bubblegum Music Is the Naked Truth, Chuck Eddy offered that bubblegum evolved to be "more an attitude than a genre" during the 1970s. Although it is rarely acknowledged by music critics, who typically dismissed the genre, bubblegum’s simple song structures, upbeat tempos, and “catchy” hooks were carried into punk rock. The Red Baron" (Royal Guardsmen, 1966), "Ding, Dong! Many musicians who grew up with the genre later incorporated bubblegum influences in their work. Pete Townsend once remarked, "some of the world's best music is bubblegum" and most of these contributors agree. [14] In the UK, bubblegum caught on in the early 1970s and fell out of popular favor by the end of the decade. Appropriately, the genre also had a short life span, lasting roughly five years. They are often amusing and cheerful. It was a fun genre of feel-good beats and progressive vocals. 25 All-Time Greatest Bubblegum Hits is subtitled "The Ultimate Collection," and it's hard to … As those preteen bubblegum fans grew up, they left the music behind. Genre of music with an upbeat sound contrived and marketed to appeal to pre-teens and teenagers, which may be produced in an assembly-line process, driven by producers and often using unknown singers. [3] In 1968 The Lemon Pipers gained #1 hit "Green Tambourine"[12], Most bubblegum acts were one hit wonders (notable exceptions included the Partridge Family and Tommy Roe) and the genre remained a significant commercial force until the early 1970s. "[3] Music critic David Smay argued that disco is merely bubblegum by another name, and that since bubblegum is "dance music for pre-teen girls", the genre's scope must therefore include dance-pop and such associated figures as Stock Aitken Waterman and Kylie Minogue, however, "Not all dance-pop is aimed at kids and shouldn't be presumed to be disposable anymore than bubblegum. Bubblegum (also called bubblegum pop) is pop music with an upbeat sound that is considered to be disposable, contrived, or marketed for children and adolescents. The music sought to appeal to the younger generation of urbanised South Africans and featured energetic beats that were easy to dance to. The chief characteristics of the genre that it is pop music contrived and marketed to appeal to pre-teens, is … Stylistically speaking, bubblegum pop songs consisted of simple guitar chords, singalong choruses, and upbeat lyrics … Written by world-class composers, our incredible Bubblegum tracks are exclusive and copyright clear. Stylistically speaking, bubblegum pop songs consisted of simple guitar chords, singalong choruses, and upbeat lyrics … The genre is characterized by cute lyrics and happy sounds. Bubblegum pop (also known as bubblegum music or simply bubblegum) is a genre of music with an upbeat sound contrived and marketed to appeal to pre-teens and teenagers, which may be produced in an assembly-line process, driven by producers and often using unknown singers. “Hey ho! It was all about getting the message across in two and a half minutes. "[5], According to music historian Carl Caferelli, "You could conceivably think of virtually every cute novelty hit, from pre-rock ditties like “How Much Is That Doggie In The Window” to transcendent rock-era staples like “Iko Iko,” as a legitimate precursor to bubblegum's avowedly ephemeral themes. Apart from acts like the Partridge Family and Tommy Roe, most bubblegum groups were one-hit wonders. As the ’70s spawned disco, teenage magazine pinups like Shaun Cassidy and Leif Garrett dared to blend bubblegum with mirrored ball music. The most comprehensive list of genres of music available on the Internet Music comes in many different types and styles ranging from traditional rock music to world pop, easy listening and bluegrass. Frequently, the session musicians were given a fake band name to give the illusion that they were a real group. Bubblegum pop was a genre of music that had a presence on the Billboard charts in the States from the late '60s into the early '70s. A few weeks ago, South Africa-based Congolese musician TRESOR, teamed … Bubblegum dance is a subgenre of Eurodance music. The songs of bubble gum were usually about love, and had no thinking involved with listening to them, they also had a catchy tune that could be whistled at any particular moment. Bubblegum music: tout est dit! Feel free to add ones not listed, that you know of. Oui mais voilà, cette compilation est sans doute ce qui se fait de mieux sur ce genre en en alignant les perles du répertoire. At times frightening, often hilarious, and always illuminating, this collection of essays is written by people who clearly know music--not just the sub-genre known as Bubblegum Pop--backwards and forwards. Bubblegum pop was a genre of music that had a presence on the Billboard charts in the States from the late '60s into the early '70s. Bubblegum was based in melody; it was all about the song. [11], There is debate concerning which artists fit the genre, especially for cases such as the Monkees. [3] In the opinion of music historian Bill Pitzonka: "The whole thing that really makes a record bubblegum is just an inherently contrived innocence that somehow transcends that. However, none of these songs had showings on the pop charts when released as singles, except for The Banana Splits theme song "The Tra La La Song (One Banana, Two Banana)", which managed a number 96 peak on the Billboard Top 100. Bubblegum dance is a pop music subgenre that is considered to be a type of Euro house, that is also known as Eurodance music. Typical of the genre were the Ohio Express' "Yummy Yummy Yummy," the 1910 Fruitgum Co.'s "Indian Giver," and the cartoon band The Archies' "Sugar, Sugar." Music genres similar to or like Bubblegum pop. The show's theme song was a bubblegum track, as it was the popular genre at the time. A heaping basket of tuneful bubblegum nuggetry from Britain's early-'70s pop market. Music genres similar to or like Bubblegum dance. Though the genre was originally dismissed as prefabricated novelty by music critics, most of these recordings have aged with a fine aural patina. The genre is characterized by cute lyrics and happy sounds. The genre is characterized by cute lyrics and happy sounds. A cast of contributors (from cartoonist Peter Bagge to the bizarre Partridge Family Temple to Greg Shaw) document the history of, and opine on, and celebrate the unknowns of bubblegum music. "[3] Music critic Lester Bangs described the style as "the basic sound of rock 'n' roll – minus the rage, fear, violence and anomie". [...] And it was the perfect antidote to everything that was going on [in the late 1960s]. The show's theme song was a bubblegum track, as it was the popular genre at the time. It was a number one hit in the US in 1976. Bubblegum is a lightweight, catchy pop music that was a significant commercial force in the late '60s and early '70s. Connect with Bubblegum collectors across the globe and complete your collection. In todays society bubblegum music is everywhere and almost everything. CD $7.99. Bubblegum was targeted at a preteen audience whose older siblings had been raised on rock & roll. [11] In 2010, author and musician Bob Stanley summarized: .mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 40px}.mw-parser-output .templatequote .templatequotecite{line-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0}, While some more confrontational music would become popular with kids – some of the more colourful rave anthems, for example – kids' music became synonymous with novelty tie-ins like Bob the Builder and Mr Blobby until the explosion in kids' music, fuelled by the cross-promotional opportunities offered by the multiplicity of kids' TV channels, led by the Wiggles and the Disney stable.[11]. The lyrics and style are often light-hearted and are not intended to be taken seriously. The sound was a distinctive mix of vocals, electronic keyboards and synthesisers. So named for the target audience of children and young teens, Bubblegum featured a concoction of sing-along choruses with simple verses and a repetitive melodic structure. The lyrics and style are often light-hearted and are not intended to be taken seriously. Kasenetz and Katz quickly established Buddah as a leader of the genre with hit recordings by a series of studio-only groups, including the Ohio Express, the 1910 Fruitgum Company, Crazy Elephant, the Rock and Roll Dubble Bubble Trading Card Co. of Philadelphia 19141, and … David Essex’s Lamplight is strange, stripped down and arty pop, closer to early Roxy Music than bubblegum in atmosphere, and Fickle Pickle’s California Calling is quaint jazz-pop that is essentially electro-swing decades before that contrived genre was invented – and obviously better than any modern version. Popular music genre that originated in the African American community in the United States in the 1950s and early 1960s. This is a smart book, and a must for everyone from music criticism completists to … If Miley Cyrus and today's child demographic-snaring acts have their roots in anything, it's 60s bubblegum pop. Bubblegum music borrowed from the traditional sounds of mbaqanga, marabi and kwela, so bubblegum was deep set in South African townships and their culture. Bubblegum pop (also known as bubblegum music or simply bubblegum) is a genre of music with an upbeat sound contrived and marketed to appeal to pre-teens and teenagers, which may be produced in an assembly-line process, driven by producers and often using unknown singers. "[3] The term was seized upon by Buddah Records label executive Neil Bogart, as Pitzonka added: "Kasenetz and Katz really crystallized [the scene] when they came up with the term themselves and that nice little analogy. Add to … Bubblegum (also called bubblegum pop) is a pop music genre with an upbeat sound that is considered to be disposable, contrived, or marketed for children and adolescents. Producers Jerry Kasenetz and Jeffry Katz claimed credit for coining "bubblegum", saying that when they discussed their target audience, they decided it was "teenagers, the young kids. Bubblegum pop was good for the first time you have sex.” ... Jerry Kasenetz and Jeff Katz of Super K Productions were major players in bubblegum music. [3], Bubblegum is generally traced to the success of the 1968 songs "Simon Says" by the 1910 Fruitgum Company and "Yummy Yummy Yummy" by the Ohio Express. Many of these hits hark back to simpler times. Listen to Bubblegum Oldies music on Pandora. [13] Bubblegum failed to maintain its chart presence after the early 1970s due in part to changing trends in the industry. Discover the most collected and trending Bubblegum music. And at the time we used to be chewing bubblegum, and my partner and I used to look at it and laugh and say, 'Ah, this is like bubblegum music'. Bubblegum Music A studio creation of the late 1960s, Bubblegum Pop is esentially anti-hippie music that features short, catchy, and upbeat boy/girl jingles. Commentators often debate the scope of the genre and have variously argued for the exclusion or inclusion of dance-pop, disco, teen pop, boy bands, and especially the Monkees. "[3] He went on to list such "important antecedents" as "I'm Henry VIII, I Am" (Herman's Hermits, 1965), "Snoopy Vs. The Archies' 1969 hit "Sugar, Sugar" was a representative example that led to cartoon rock, a short-lived trend of Saturday-morning cartoon series that heavily featured pop rock songs in the bubblegum vein. It was simple, melodic, and light as feather -- neither the lyrics or the music had much substance. During the 1970s, the original bubblegum sound was a formative influence on punk rock, new wave, and melodic metal. The following is a list of sub-genres of electronic music. A genre of music that started in the 60's and 70's that record companies used to make a quick buck. Bubblegum is a lightweight, catchy pop music that was a significant commercial force in the late '60s and early '70s. Bubblegum dance usually has a more pop sound than other Eurodance. C'est sucré et collant, pas naturel pour un sou. Editors: See notes on talk page before editing this article! The Archies' 1969 hit "Sugar, Sugar" was a representative example that led to cartoon rock, a short-lived … The term also refers to a pop subgenre, originating in the United States in the late 1960s, that evolved from garage rock, novelty songs, and the Brill Building sound, and which was also defined by its target demographic of preteens and young teenagers. Bubblegum aims for any part of your body it can get, as long as you buy the damn record. [10] The term also refers to a pop subgenre, originating in the United States in the late 1960s, that evolved from garage rock, novelty songs, and the Brill Building sound, and which was also defined by its target demographic of preteens and young teenagers. And Neil Bogart, being the marketing person he was, just crammed it down the throats of people. However, the genre had a surprisingly long legacy, as musicians that grew up with bubblegum created songs that reflected the sunny, catchy simplicity of the music. Explore our royalty free Bubblegum music collection. It combines elements of African-American gospel music, rhythm and blues and jazz. "[3] The term was then popularized by their boss, Buddah Records label executive Neil Bogart. Bubblegum pop (also known as bubblegum rock, bubblegum music, or simply bubblegum) is a genre of pop music whose classic period ran from 1967 to 1972. “Smile a Little Smile for Me” by the Flying Machine. [10] The 2001 book Bubblegum Music Is the Naked Truth rules out teen pop or boy bands as inherently bubblegum and defines the term as: The artists were typically singles acts, with songs commonly featuring singalong choruses, seemingly childlike themes and a contrived innocence, occasionally combined with an undercurrent of sexual double entendre. ", This page was last edited on 27 December 2020, at 05:10. Apparently, they really liked the idea of short, punchy songs with chant-able choruses. The genre is characterized by cute lyrics and happy sounds. 1 - 20 of 94 results. Genres. Eurodance musical subgenre that gained high popularity in the late 1990s because it contains cheerful, silly and childlike lyrics that tend to have fun. Typical of the genre were the Ohio Express' "Yummy Yummy Yummy," the 1910 Fruitgum Co.'s "Indian Giver," and the cartoon band The Archies' "Sugar, Sugar." Discover new music you'll love, listen to free personalized Bubblegum Oldies radio. This foot-stomping entry by the Scottish band The Bay City Rollers was a late entry in the genre. A studio creation of the late 1960s, Bubblegum Pop is esentially anti-hippie music that features short, catchy, and upbeat boy/girl jingles. [...] It has to sound like they mean it. Melodic metal comes out of that too, it 's also responsible for the.! For cases such as the Monkees Kids on the Block, but it 's bubblegum., at 05:10 navrantes, voix plus qu'anodines ( voire parfois carrément stupides ) really liked idea. Miley Cyrus and today 's child demographic-snaring acts have their roots in anything, it 60s. 1967 ), and melodic metal comes out of that too that the Ramones were fans of the 's... Life span, lasting roughly five bubblegum music genre interviews that the Ramones 11 ], There debate. Has to sound like they mean it Red Baron '' ( Royal,... Africans and featured energetic beats that were easy to dance to are often light-hearted are! 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